ember

For generations, the people of the City of Ember have flourished in an amazing world of glittering lights. But Ember's once powerful generator is failing ... and the great lamps that illuminate the city are starting to flicker.

Piranha

After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area's new razor-toothed residents.

Road

In a dangerous post-apocalyptic world, an ailing father defends his son as they slowly travel to the sea.

the Barbarian

An vengeful barbarian warrior sets off to get his revenge on the evil warlord who attacked his village and murdered his father when he was a boy.

WereWolf

Set in a 19th century village, a young man studying under a local doctor joins a team of hunters on the trail of a wolf-like creature.

Horse

A lonely boy discovers a mysterious egg that hatches a sea creature of Scottish legend.

G.O.T Se6 Ep6

In Bob We Trust: GHOSTBUSTERS - WHY GET SO MAD?

FYI: There have been questions re: AGENTS OF S.H.I.E.L.D. recaps. Short answer: Yeah, Season 3 ultimately got so tiresome I couldn't bring myself to do write-ups of it anymore. However, with the season now concluded, I will be addressing that on the next installment of this series, tentatively arriving one week from today. Stay tuned :)

Back Down

Picking up after the events of Never Back Down 2, former MMA champion Case Walker is on the comeback trail to become champion once again.

Hardcore

A first-person action film from the eyes of Henry, who's resurrected from death with no memory. He must discover his identity and save his wife from a warlord with a plan to bio-engineer soldiers.

Covert Operation

A captured bounty hunter is promised his freedom if he can break several prisoners out of a North Korean military stronghold.

Spider

Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.

Kean

Friends hatch a plot to retrieve a stolen kitten by posing as drug dealers for a street gang.

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The Witch is an american movie directed by Robert Eggers.

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The Call Up is an american movie directed by The Call Up.

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All the Way is an american movie directed by Jay Roach.

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X-Men: Apocalypse is an American science fiction action film from 2016 the film studio 20th Century Fox, based on the X-Men comics of Marvel publisher. He is the total ninth part of the X-Men film series and forms a sequel to X-Men: future is the past (2014) the third part of the second X-Men trilogy..

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Really That Good: SUPERMAN (1978)

Watch it now, in case Warner Bros' bogus copyright claim goes through (if so, there is a Vimeo version.)



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Despite the Falling Snow is an american film directed by Shamim Sarif.

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The Other Side of the Mirror is an american film directed by Zach Hamer.

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Barbershop: The Next Cut is an american comedy movie directed by Malcolm D. Lee.

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Video Review: X-MEN APOCALYPSE

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Triple 9 is an American action thriller by John Hillcoat from the year 2016. It is about a gang of corrupt cops that take place in Atlanta, Georgia, on behalf of there ruling Russenmafia spectacular robbery and thereby the police radio codes " 999 "use.

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Race is a biopic of Stephen Hopkins on the US track and field athletes Jesse Owens and his participation in the Summer Olympics in 1936. The film premiered on February 19, 2016 the United States.

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Pelé: Birth of a Legend is an american movie directed by Jeff Zimbalist, Michael Zimbalist.

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Cinemassacre vs Ghostbusters vs Internet

NOTE: This was originally written as the script for a video, but I decided it read better than it sounded performed. As ever, if you like what I do here, there's a MovieBob Patreon for that. 

Alright. The Internet is all up in arms because of the below video wherein a guy who reviews movies says he's not going to review the GHOSTBUSTERS remake mainly for nostalgia/"respect-the-original" reasons (and will instead do a "non-review" seemingly mostly about the failed attempts to make a proper GHOSTBUSTERS III over the years); and I find the fallout interesting because half the web is celebrating: "Hooray! Famous Internet Man has joined our anti-feminist witch-hunt!;" while the other half is scolding him over:"Boo! Famous Internet Man joined their anti-feminist witch-hunt."

Meanwhile, the gender-flip business of the remake doesn't really come up other than a factual acknowledgment thereof in the actual video, making it nicely illustrative of the tiresome way discussion of this movie has become proxy-vs-proxy and not about the movie at all... but also of who's to blame for that tiresomeness in the first place (HINT: It ain't the so-called "SJWs.") Anyway, there's the video, my take after the jump.



So. Background: James Rolfe, probably still best known as the Angry Video Game Nerd and pretty-much the INVENTOR of the whole “pop-culture rant” internet video genre, put out a video where he announced he was going to do some kind of vaguely-defined “non-review” tie-in video to the remake of GHOSTBUSTERS because it looks really bad and he resents the idea of remaking it in the first place and would thus rather not watch it.

Which… I totally understand and think is pretty valid. I mean, look – I’m a film critic by trade and I’m generally of the opinion that everyone critic or not should experience as many things as possible and that goes double for things you assume you yourself won’t like I assume we’ve all read GREEN EGGS & HAM and I don’t have to explain the logic behind that further. BUT! It’s also true that not everyone CAN see everything and if you really do think something looks so beyond your capacity for enjoyment or rational engagement then maybe it’s best left to others every once in awhile.

To be frank – short of “not gonna watch it” I have a hard time disagreeing with most of his basic premise (though I'd like to think I wouldn't have said it was "good" that Harold Ramis didn't get to see the movie - that's a bit much.) GHOSTBUSTERS is one of those all-time classics that shouldn’t be remade even if remaking it well was possible which it isn’t because the making of GHOSTBUSTERS was one of those lightning-in-a-bottle scenarios that can’t happen twice and GHOSTBUSTERS II is the proof of that. The remake they HAVE made thus far looks and sounds terrible both conceptually and based on the trailers, everything about it makes me embarrassed for the very talented cast that’s been assembled to put it together. It’s a movie that probably never should have happened, stands almost no chance of being worthwhile and thus far doesn’t even look like it’ll be good enough to be a “whatever, next movie.” The last time a movie project looked THIS bad top-to-bottom before its release was BATMAN V SUPERMAN and just look how that monstrosity turned out.

And yeah, I COMPLETELY “get” resenting remakes of classics because – yes – while a remake doesn’t make the original “disappear” it does often inject a sour note into the cultural history of something (fairly or not) at least for a little while. See: Today, when you talk about ROBOCOP, you kinda have to specify that you mean the good one from the mid-80s and not that godawful piece of garbage from last year. Or when you talk about HALLOWEEN and have to point out that you mean the John Carpenter movie and not the Rob Zombie one. It’s not a huge problem or a major tragedy but it DOES kind of suck that unless this remake is itself an outright classic which – no, it won’t be – any discussion of GHOSTBUSTERS will now have to specify whether you mean the remake or the good one.

Now look, I’m not here to “defend” The Angry Nerd OR start some kind of debate over all this or even really to talk about his thing at all. And before somebody brings it up YES, I understand that he’s doing a “bit” and the whole “principled stand against a remake of a classic” thing feels like basically a clever promo for a what sounds like a video more about the history of the failure to make GHOSTBUSTERS 3 while it was still possible that he probably wanted to do anyway. I get it – self-promotion is the business, the business is what it is and he’s been doing it longer than almost any of us.

What I do think is worth noting is that the “discussion” that spilled out of this continues to be all about sexist assholes in fan-culture clearly being upset at this movie because they recast it with women… and the fact of that BARELY came up at all in Rolfe’s video. Now, look – full disclosure: I know this guy, not super well but we’ve worked with a lot of the same people, have done a few of the same events, I always admired his work, he’s always been a good guy to me, I have ZERO reason to believe he has some kind of issue with women and the fact that he doesn’t bring it up at all bares that out: I take him at what looks to be his word that this is about remaking classics and not about gender politics or whatever.

But what’s interesting and also depressing is… it doesn’t really MATTER, does it? The remake of GHOSTBUSTERS became a proxy battlefield for political posturing pretty-much the minute it was announced because that’s the world we live in now, and that’s always a frustrating phenomenon because it involves weighing two equally true facts against eachother – Fact #1 being that issues like feminism, progress, social-justice etc are, objectively, more important than whether or not a movie is good; but Fact #2 being that the only fair way to judge a work of art is based on its intrinsic merits and not which “side” of some bigger, more important argument its quality or lack thereof backs up.

This is partially why you haven’t heard ME really have anything substantively to say about the movie up to this point: Honestly, I was rooting for it to be good (and still hope it is even though all possible signs point to “no”) because inverting the character-genders raised a lot of genuinely interesting possibilities and almost seemed like a good enough reason to remake a classic in the first place. And as soon as the awful trailers and the awful everything else started to roll in, y’know… I felt physically sick over it because I realized what we were now in for:

The same pissed-off woman-hating assholes that ran roughshod over video-game fandom last year and this year have managed to (improbably) turn the otherwise well-intentioned Presidential candidacy of Bernie Sanders (of all people!) into a fucking punchline are going to climb all over this movie sucking as ammunition for their bullshit cause, which means the GOOD people on the other side will either feel compelled to jump in and “defend” this or get sucked in otherwise because it becomes the new talking point of the moment.

And while that’s annoying on all fronts, I’m not trying to make a false equivalency here: I HATE the fact that we can’t have an honest back and forth about this or any other movie without having to think about whether or not what we say is going to get repurposed a weapon in a bullshit “culture war,” but I know who’s to blame for it – and it aint’ the so-called “SJWs.”: It’s the regressives and the trolls and fedora squad and the MRA/”meninist” right-wing internet collective that’s been banging on about this shit ever since they realized that the inexorable tide of cultural evolution is poised and ready to sweep them and their bullshit played-out reactionary worldview into the dumpster of societal-obsolesence.

Because guess what: The remakes of ROBOCOP and TOTAL RECALL *both* looked just as bad as the new GHOSTBUSTERS looks (and spoiler: they WERE exactly as awful as they looked) – but I don’t remember a year-long preemptive, pre-TRAILER hate campaign against those movies; so logically there’s obviously something else at play here – and while it’s true that Chris Hemsworth being in a movie where he’s NOT playing Thor is usually a bad sign… I kinda don’t think it’s that.

So… yeah. You think the remake of GHOSTBUSTERS looks terrible? I agree – it looks terrible. I just hope it doesn’t stop people from putting Leslie Jones Kate McKinnon in good movies because those are two funny fuckin’ people. You think it looks super-disrespectful to the legacy of one of the most important genre-comedies ever made? Yeah, I think that looks to the most-likely case. Don’t wanna watch it because of that? Fine – totally valid, you do you. But please, don’t you DARE insult either of our intelligences by trying to tell me that *most* of the super over-the-top mega-hatred that’s being trained on this project and RUINING any chance to have an honest discourse isn’t mainly coming from paranoid sexist assholes who think something is being “stolen” from them.

Egh… can we just get this over with? And by this, I mean can we just fast-forward to five years from now when we’ll be able to find out what everyone REALLY thought of this movie?

P.S. Since it's relevant, my original "Really That Good" episode on the original GHOSTBUSTERS. For those wondering: RTG: "Superman: The Movie" is in-production and should be done soon, Yes, I am aware it took longer than I wanted it to. As ever, if you enjoy the work and want to encourage more, please consider The MovieBob Patreon.

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Kill Command is an american action movie directed by Steven Gomez.

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Tulips in Spring is an american film directed by David Winning.

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Review: X-MEN: APOCALYPSE (2016)

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Broken record time: There are plenty of pre-modern (read: prior to BATMAN BEGINS/IRON MAN) superhero movies that absolutely hold up. Sam Raimi's SPIDER-MAN is one. The 1978 SUPERMAN is one. BATMAN RETURNS... sort of. The first two BLADE movies, definitely - I know we're only "supposed" to like BLADE II because of Guillermo del Toro, but the first one is totally serviceable.

But the X-MEN movies? No. They don't hold up. Portions of them do: McKellan's Magneto is a hell of a performance, Jackman as Wolverine was a great discovery, Patrick Stewart is... basically doing exactly what you expected, so it's fine. Zeroing in on the gay-youth metaphor was a good idea. Sort-of-nude Mystique is iconic. X2 has a decent-ish screenplay, which helps alot. But taken as a whole? Only FIRST CLASS is a straight-up good movie, and THE WOLVERINE is 2/3rds of a good B-movie. The rest of them are varying degrees of straight-up bad (ORIGINS: WOLVERINE and X3 being the worst) - aesthetically ugly, blandly directed, filler-packed half-efforts of which X2 gets a pass because it's screenplay is good enough and restricting 90% of the action to the X-Mansion, underlit hallways and... more underlit hallways helps disguise Bryan Singer's inability to properly direct action sequences or really any sequence with more than one plane of action and more than three active characters.

(SPOILERS after the jump)

And look, I get it: For a moment there, this looked like the best we could've possibly hoped for, isolated scenes like Wolverine defending the Mansion and Iceman "coming out" to his parents are damn close to transcendent and seeing the Phoenix shape under the water was Nick Fury before Nick Fury. I was there, too, I understand. But I've also lived through the decade-plus hence with clear eyes, and apart from FIRST CLASS (again, the only good one) the only thing more disappointing in hindsight than the totality of the X-MEN movies is the whole idea of Bryan Singer being a major talent as opposed to an unspectacular point-and-shoot dramatist of what we used to call TV-level visual chops.

What I'm saying is: It's okay to let this series go. I understand why we cling to it, but enough is enough. Propping up this franchise in 2016 is like unironically propping up HAWK THE SLAYER after LORD OF THE RINGS.

But whatever. Thanks to DEADPOOL we're going to keep getting these now in one form or another, even as it begins to feel more and more like Fox intends to jog in place accomplishing nothing special (the next movie will apparently be set in the 90s to maintain whatever the nonsensical continuity is now) for the main series while they wait for Disney/Marvel to make them a Spidey-style shared custody offer; so it's time to watch the surviving FIRST CLASS actors team up with the new baby-faced versions of the Parts 1-3 characters whose actors have aged out of the franchise for what amounts (in terms of actual plot) to a 2 1/2 hour explanation for why Professor Xavier went bald early. Riveting.

Any pleasures to be had amid this tedium are strictly of the ironic variety. Specifically: It's enormous fun to watch poor Oscar Isaac (usually one of the most expressive and versatile actors working today) stomp around looking like a 1970s SUPER SENTAI villain in absurdly fake-looking prosthetic makeup and plastic armor (there isn't a single prop, set, costume or makeup effect in the film that doesn't look Schumacher-BATMAN-level phony) as Apocalypse, supposedly "The First Mutant" and our basis for various myths about gods and demons etc. Buried alive in Ancient Egypt, he wakes up in the alt-reality 1980s created by DAYS OF FUTURE PAST's time-travel meddling and decides that humanity has fucked up the planet so bad that he needs to blow everything up and start over as Mutant God again; so he assembles a team consisting of Storm, Angel, Magento and newbie mutant Psylocke and supercharges their powers to help him kidnap Professor X so that he can hijack his mind-powers to find and manipulate every mutant on Earth at once because that's exactly what the bad guys did in X2 and that was the last time anyone not named Matthew Vaughn made a good X-MEN movie.

Meanwhile, plot contrivances (and contractual obligations) bring Mystique (J-Law again, somehow affecting her most vacant, disinterested thousand-yard-stare yet) back to the Xavier School at the same relative time as the new Barely Legal versions of Cyclops, Jean Grey and Nightcrawler are all turning up along with still-mindwiped Moira MacTaggart, who wants help running down Apocalypse and Magneto - who's evil again because he moved to Poland and tried to start a family and just guess how that ended up. It's all just a lot of marking time until Apocalypse can show up and blow the school to smithereens, compelling Mystique to get over her resistance to heroism (young mutants now hero-worship "The Blue Woman" as a Che-style revolutionary icon that she wants no part of) and re-assemble The X-Men in order to rescue Charles and beat Apocalypse...

...but only after an insultingly-pointless, utterly unnecessary plot detour during which the main good guys are abducted by Baby General Stryker and whisked off to an underground facility exclusively so that they can bump into Hugh Jackman for about two minutes of bloodless Wolverine cameo-carnage and then promptly hurry back on their way to back to the main storyline. It's as nakedly awkward as I'm making it sound, reeks of post-production interference and I wouldn't be the least bit surprised to find out it was all created in reshoots - and yet, somehow, Wolverine still has more actual bearing on the plot than (Arch?)Angel, Storm and Psylocke; none of whom serve even a contrived purpose since Apocalypse's big scheme is essentially: Super-Magneto destroys the world with Earthquakes.

On balance it's not quite as disastrously bad as X3 and just about even with ORIGINS: WOLVERINE in terms of enthusiastically-boneheaded stupidity, to the point where it might even be "fun" after a fashion if Singer was a better director of spectacle or had the capacity to have genuine fun within the genre. Unfortunately, APOCALYPSE has clearly been designed with the aim of aping the structure/tone of the most-recent Marvel features - read: witty banter, elaborate fight sequences, Lucky Charms color-palette, a giant climactic fight scene in the middle of basically the whole damn world exploding into pixel showers in the background - which would make for a headache-inducing clash with Singer's prevailing "sullen-Ambercrombie-models-looking-pouty" aesthetic that it likely wouldn't have looked good if he could direct it properly - which he can't.

It's honestly shocking just how bad the "big" moments of the film look, particularly a third act mega-brawl set in a blown-to-bits Cairo. Outrageously poor green-screen compositing and lighting/lensing choices seemingly designed to highlight how fake everyone looks (poor Olivia Munn looks like she's posing for an expensive-for-2002 cosplay shoot) would be forgivable with even a minimum of visual flourish, but the composite/soundstage/CGI mix is so stagey and basic that your average Sid & Marty Kroft show was overall more inventive about disguising their plate-shots. Fassbender's Magneto, hovering unconvincingly amid swirling digital chaos, looks less like a Horseman of The Apocalypse than he does a badly-dressed many giving a TED Talk about advances in particle-FX animation.

In a moment that crystallizes the "soulless xerox of an MCU entry" sensibility intrinsic to the whole enterprise, the film opts to insert it's requisite Stan Lee cameo not into the margins or a tension-relieving "funny" scene; but into one of the most (theoretically) dramatic moments possible - garaunteeing gufaws from the audience at one of the least opportune times. By the same token, since everybody (but me) made an obnoxiously big deal out of the Quicksilver slo-mo scene in DAYS OF FUTURE PAST, we get two more of them here: One of which turns what should be a big deal plot point into a jokey "Ha! I remember that 80s song!" spotfest, the other of which serves to render him so overpowered it feels pointless to have any other X-Men around - even if everyone didn't keep forgetting which powers they have until they need it for a specific beat.

The only question I end up having as all of this dull drivel winds down is whether or not having to follow one of the best recent superhero movies (CIVIL WAR) and one of the all-time worst (BATMAN V SUPERMAN) to theaters works out against the film or in its favor. I'm on record not believing in "superhero fatigue," but X-MEN: APOCALYPSE is exactly the kind of movie that under the right circumstances could get me way down in the dumps about the genre - it's not even bad enough to make for interesting "how did this abomination happen!?" discussion like BVS or FANT4STIC. There's no mystery to how pointless, uninspired fare like this get's made - or to why there'll almost certainly be more of it before we're through.

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No Good Deed is an american movie directed by Sam Miller.

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The Equalizer is an American action thriller from 2014, based on the eponymous television series from Michael Sloan and Richard Lindheim of the 1980s. The film had its world premiere on September 7, 2014.

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To play Six Gun Savior full movie at full-screen size, click the arrow button located at the far bottom-right corner of the stream (video). Please let us know via comments if the stream is working or not.

Watch Sundog (2016) Full Movie Online For Free Without Download

Sundog is an merican action directed by Ethan Clerc.

How to Watch Sundog (2016) Movie For Free Without Download?
1- Click on the play icon in the middle of the screen
2- Wait 5-10 min for stream to load

To play Sundog full movie at full-screen size, click the arrow button located at the far bottom-right corner of the stream (video). Please let us know via comments if the stream is working or not.

Watch My Big Fat Greek Wedding 2 (2016) Full Movie Online For Free Without Download

My Big Fat Greek Wedding 2 is a romantic comedy film directed by Kirk Jones from the year 2016. The production is a continuation of the post in 2002 independent comedy My Big Fat Greek Wedding - Wedding in Greek.

How to Watch My Big Fat Greek Wedding 2 (2016) Movie For Free Without Download?
1- Click on the play icon in the middle of the screen
2- Wait 5-10 min for stream to load

To play My Big Fat Greek Wedding 2 full movie at full-screen size, click the arrow button located at the far bottom-right corner of the stream (video). Please let us know via comments if the stream is working or not.

Watch Kindergarten Cop 2 (2016) Full Movie Online For Free Without Download

Kindergarten Cop 2 is an american comedy directed by Don Michael Paul.

How to Watch Kindergarten Cop 2 (2016) Movie For Free Without Download?
1- Click on the play icon in the middle of the screen
2- Wait 5-10 min for stream to load

To play Kindergarten Cop 2 full movie at full-screen size, click the arrow button located at the far bottom-right corner of the stream (video). Please let us know via comments if the stream is working or not.

Watch The Horde (2016) Full Movie Online For Free Without Download

The Horde is an action movie directed by Jared Cohn.

How to Watch The Horde (2016) Movie For Free Without Download?
1- Click on the play icon in the middle of the screen
2- Wait 5-10 min for stream to load

To play The Horde full movie at full-screen size, click the arrow button located at the far bottom-right corner of the stream (video). Please let us know via comments if the stream is working or not.